Molly, a ditsy girl and sausage roll fanatic, works at Greggs. The proximity to her favourite snack means you’d expect her to be pretty content with her life. This proves not to be the case.
Molly, named after the titular character, showcases the polarising moments in a 30-something-year-old woman’s life. From joyous and silly, to dark and disturbing, Molly explores what is to be human and struggling.
This is done entirely through the character, Molly. Despite her friendly, if not half-witted, interactions with the customers, Molly isn’t as happy-go-lucky when not on shift. Booty calls, drink, and drugs consume her life from clocking out on a Friday until her shift with the regulars on Monday.
Katie Akerman is the star of this one-woman show. Her portrayal of Molly both on stage and in pre-recorded segments was dynamic, engaging, and raw. Molly felt like a real person; someone we all partially relate to, a story we understand. Akerman’s dedication to the concept and the character is what made this play an entertaining tear-jerker.
There are alternate sides to everyone, and not every side is as rosy as the one you may be familiar with. Everyone has their demons. That’s the message Molly delivers- and it delivers it brilliantly.
This is a play absolutely worth catching at the Fringe if you’re able to. It’s an hour of theatre that prompts thought, provokes laughter and maybe even creates a little lump in your throat.
And, of course, a free sausage roll upon entry is hard to say no to.
Tickets can be purchased and event information viewed here.
Feature image credit: @ molly.the.play on Instagram
Journalism student with an interest in culture and news.
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Twitter: @AlexPaterson01
