Sleep Token’s live performance is nothing short of a spiritual and mesmerising experience. Known for their enigmatic presence and unique sound, the band transformed the hydro into a light show of worship and prayer. From start to finish, their gig was a perfect blend of haunting and chilling with eerie whispers about the certainty of death, powerful drum solos, and emotional intensity from the band.
The show started with the opener of Bilmuri with a mix of different styles blending elements of pop, rock, alternative, and electronic music. the band is a project fronted by Johnny Franck took the stage with a bang with a large crowd turn out to come see them. The true bond of this band created a magnetic performance with the band taking equal levels of spotlight from the saxophonist and flute player Gabi Rose to the guitarist Reese Maslin. The setlist was entertaining with high energy levels needed from the starting band and overall were a great opener for the spectacle of a performance about to come.
The night started with the lights dimming and the light show beginning with flashing orange lights as Sleep Token finally took the stage, dressed in their iconic cloaks and masks, the crowd erupted in a mix of awe and excitement. The anonymity of the band only added to the aura, allowing the music to take centre stage and leave the audience fully immersed in the performance setting the mood of the night with ‘The Night Does Not Belong to God’.
This sleep token gig review wouldn’t be complete without mentioning the impact of their diverse setlist. Tracks from their latest album, Take Me Back to Eden, were flawlessly executed, with “The Summoning” and “Chokehold” standing out as emotional high points with the crowd going crazy as the interludes continued. The band’s ability to seamlessly shift between sombre, atmospheric moments and powerful, explosive sections kept the crowd on their toes, never quite sure what to expect next from emotional lows of ‘Atlantic’ to highs of songs such as ‘granite’.
Vocalist and frontman, known only as “Vessel,” was nothing short of captivating. His Voice captured the audience with roars of appreciation and silences of awe the frontman danced his way through the night keeping energy levels high. During the quieter moments, his voice felt like it was piercing straight through the soul, and during the heavier sections, it transformed into a force of nature, roaring with intensity. The frontman’s performance is a critical highlight in any sleep token gig review due to his powerful presence.
The drumming performed by “Ⅱ” was nothing short of absolutely stunning with an intense beat and awe-striking solos giving the songs depth and creativity to the set. Similarly, the bassist “Ⅲ” and guitarist” Ⅳ” were a formidable pair together with catchy riffs and stunning stage presence adding much needed rhythm to the mix creating a sound so unique to sleep tokens band.
What truly set this gig apart was the connection between the band and the audience. Sleep Token’s music resonates on a deeply personal level, and the crowd seemed to share energy, a sort of unspoken understanding of the emotions brought through the music. The band’s ability to create a space where people can lose themselves in the music, was nothing short of magical. This deep connection is a major takeaway in this sleep token gig review.
As the night drew to a close, the final moments of the show were magical with the final song being ‘Euclid’ with a beautiful send-off due to project Euclid turning the stadium green by phone light creating a magical atmosphere. Finally, we were sung out by Whitney Houston’s’ “I wanna dance with somebody” to end a spectacle of a night. It wasn’t just a concert; it was a transformative experience. Sleep Token’s live performance is a testament to their unique ability to blend theatricality, artistry, and raw emotion into a singular, unforgettable event. If you ever have the chance to go see them live, it is an opportunity you won’t want to miss. This sleep token gig review underscores the unforgettable and transformative nature of their performance.
Featured Image Credit: Adam ross Williams
