Rom-com meets sci-fi in this historical whirlwind adventure that takes us through the ages. Timestalker is Alice Lowe’s latest creation since her hit British horror-comedy Prevenge (2016). Lowe was praised for the unique characteristics she brought to her film making, reviving worn-out genres with something fresh and exciting. In both Timestalker and Prevenge, Lowe is a star in front of and behind the camera, ensuring her vision is executed to the last detail.
Timestalker, written and directed by Lowe, follows Agnes (Alice Lowe) as she chases the man of her dreams Alex (Aneurin Barnard) through various time periods. Each time she manages to find him, without too many spoilers, things don’t go to plan, and a new time period begins.
Agnes is joined by Meg (Tanya Reynolds) and the creepy George (Nick Frost) throughout the film. Meg acts as the angel on her shoulder, looking out for what is best for her. A servant, a friend, and a constant supporter to Agnes. George becomes an abusive husband/ stalker who gets in between Agnes and Alex.
Lowe piqued curiosity from the audience throughout Timestalker. Several twists and turns had us trying to get our bearings and follow the story. Amongst the chuckles and giggles from the crowd, the plot itself was quite difficult to follow at times. If you want a serious movie that you can understand then Timestalker probably isn’t for you. Rather, it is an artwork meant to be viewed and enjoyed as it unravels – don’t think about what is happening too much.
The set design, lighting, and costume design created a fever-dream and reality-bending feel around the movie. It was almost like watching a play adapted for the big screen with fun and laughter oozing throughout its runtime.
However, the final section of Timestalker goes down a darker path. Stalking, confusing reality with fiction, and obsession take the forefront of Agnes’ story as it culminates. The end leaves you confused, almost open to interpretation as to how Agnes’ story ends.
Personally, a television series format may have suited this idea better. I say this because we are introduced to so many interesting characters, concepts, and time settings – but we lack the time to expand on them. Agnes and Meg’s relationship, for instance, could’ve been developed further if the time was there.
We do, however, see plenty of Alex as Barnard has a blast presenting his character in different eras. Lowe pokes fun at Agnes’ choice in men. Portraying Alex as a self-obsessed and often uncaring ass when he interacts with Agnes. Lowe uses this not only for laughs and downright British gags when the pair appear on screen, but it delivers a deeper message about love and self-worth.
All in all, Timestalker is an artistic trip with a refreshing take on the romcom genre. Sit down, switch off from reality, and enjoy the ride – Lowe’s latest is a must-see experience.
The Edinburgh International Film Festival runs from 15-21 August. Tickets and showings are available here. Brig’s coverage of the film festival can be found here.
Featured Image Credit: Western Edge Pictures
Fourth year student journalist studying Bachelor of Arts with Honours in Journalism Studies.
Words at Brig, The Daily Evergreen, Alloa Advertiser, Discovery Music Scotland, and The Mourning Paper.
